It's hard to watch something go on and be talking at the same time. Annie Leibovitz More Quotes by Annie Leibovitz More Quotes From Annie Leibovitz People buy ideas, they don't buy photographs. Annie Leibovitz photography people ideas When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion. Annie Leibovitz cameras photographer artist If I didn't have my camera to remind me constantly, I am here to do this, I would eventually have slipped away, I think. I would have forgotten my reason to exist. Annie Leibovitz cameras photographer thinking Sometimes I enjoy just photographing the surface because I think it can be as revealing as going to the heart of the matter. Annie Leibovitz matter heart thinking There are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them. Annie Leibovitz mystery one-day artist The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo! Annie Leibovitz littles looks thinking It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in the '70s they were heavy metal. Annie Leibovitz metal-fans cameras artist The pictures of my family were designed to be on a family wall, they were supposed to be together. It was supposed to copy my mother's wall in her house. Annie Leibovitz wall artist mother When I was younger, I did things with a camera I would not do by myself. I remember going down to the docks in San Francisco and asking a fisherman if he would take me out on his boat. I would never do that without a camera. Annie Leibovitz docks san-francisco cameras ...I gave up on being a journalist - I thought having a point of view was more important than being objective. Annie Leibovitz point-of-view important views I feel very proud of the work from the '80s because it is very bright and colorful. Annie Leibovitz 80s proud feels I shoot a little bit, maybe two rolls, medium format, which is 20 pictures, and if it's not working, I change the position. Annie Leibovitz mediums littles two When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't. Annie Leibovitz rolling artist stones My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship. Annie Leibovitz portraits childhood long I think self-portraits are very difficult. I’ve always seen mine as straightforward, very stripped down, hair pulled back. No shirt. Whatever light happened to be available. I’d want it to be very graphic – about darkness and light. No one else should be there, but I’m scared to do it by myself. I’ve been thinking about it for a long time. The whole idea of a self-portrait is strange. I’m so strongly linked to how I see through the camera that to get to the other side of it would be difficult. It would be as if I were taking a photograph in the dark. Annie Leibovitz light dark thinking I've created a vocabulary of different styles. I draw from many different ways to take a picture. Sometimes I go back to reportage, to journalism. Annie Leibovitz style vocabulary artist No one ever thought Clint Eastwood was funny, but he was. Annie Leibovitz funny I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time. Annie Leibovitz soul interesting thinking I've always cared more about taking pictures than about the art market. Annie Leibovitz taking-pictures photographer art There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself. Annie Leibovitz portraits relax real
