Most blues don't have a beginning, middle, or end. You just cut a couple slices of blues. Dave Van Ronk More Quotes by Dave Van Ronk More Quotes From Dave Van Ronk Honesty is the cruelest game of all, because not only can you hurt someone - and hurt them to the bone - you can feel self-righteous about it at the same time. Dave Van Ronk honesty hurt self God has a way of telling you when to change your strings. Dave Van Ronk strings guitar way If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and these are related to skills in the real world. Dave Van Ronk asymmetry skills real You can't be afraid of failure and you can't be afraid of success, because either one gets in the way of your work. Dave Van Ronk congratulations success way When you're working in front of an audience, you have incentive to excel. Dave Van Ronk incentives audience fronts And then adds with a laugh, 'but in retrospect I think he may have been more sophisticated than we were.' Dave Van Ronk retrospect laughing thinking One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seven or eight years old. And one of the nuns discovered this phenomenon and I was actually sent around from classroom to classroom to do the whole thing. Dave Van Ronk eight stars memories There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians. Dave Van Ronk jazz musician helping If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes. Dave Van Ronk crackers boxes labels If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not going to be as good as doing the same piece in front of an audience. Dave Van Ronk tape pieces practice Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz. Dave Van Ronk cool-jazz bebop heart I'm a very, very stubborn man. Dave Van Ronk stubborn men I'm an exhibitionist, I was an exhibitionist as a kid. Dave Van Ronk exhibitionist kids I think I have more in common with a carpenter than you might think. We're putting things together. Dave Van Ronk together might thinking I don't think I went a year or so without a record between 1959 and 1979, sometimes two. Dave Van Ronk two years thinking I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician. Dave Van Ronk jazz musician cutting My uncle and my grandfather both worked in the Brooklyn Navy Yard. Dave Van Ronk navy uncles grandfather Sometimes you have to forget your principles and do what’s right. Dave Van Ronk forget-you principles sometimes In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that. Dave Van Ronk records labels rooms Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song. Dave Van Ronk strong song country
