Shonda Rhimes has figured it out, of getting multiracial casts on television and appealing to everybody.

Justin Simien

Categorized in : Everybody Out Getting Television

As a person of color, I was just really tired of the fact that I wasn't seeing my story in the culture.

tired color culture

This film isn't about "white racism", or racism at all. DEAR WHITE PEOPLE is about identity. It's about the difference between how the mass culture responds to a person because of their race and who they understand themselves to truly be. And this societal conflict appears to be one that many share.

mass-culture race white

Sometimes identity can be your salvation. It can be liberating to find your place in the world, but at some point, identity can hold you back.

identity sometimes world

One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.

growing-up community mother

As a director, I try not to implement a way for working, for every single actor, across the board. I try to work with each one, on an individual basis.

individual trying

I have this natural thing in my head that when I sit down to write something serious, I tend to make jokes. I can't help it. I can't help but desire for the narrative to be as complicated and as truthful as possible. That's just the way my head works.

narrative desire writing

I love being entertained sure, but the movies that I live for, the movies that I buy and think about and stay in my mind are the movies that entertain me but leave me with something a little uncomfortable to grapple with in the lobby.

mind love-is thinking

White people don't have that problem, they get to go through life never having to fit into a box, and it's really more so true for white men because even just being a woman, you sort of have to walk around other people's assumptions of you and it's so exhausting and there's a sense, especially among young people of wanting to just live your life, not having to wear the weight of that pressure - pressure that people of color feel, that gay people of color feel, that women of color feel.

gay white men

I am more than a black guy. I am a person, I'm storyteller, I'm a son, I'm a friend, so I am all those things so it is frustrating to a degree to be limited by other people's perceptions of me but at the same time, it is true that I am a black guy and it's like I'm rooted in, but not bound by. That sort of mentality, that's the one that I hold to be true.

guy people son

America is a different country, and it will forever be a different country, after the election of Donald Trump.

different forever country

I love films from all these different points of views that used the idea of the school as a way to talk about the American experience. It took me a while to figure how to write a movie like that, because that's not something you learn at film school

views writing school

I love the art house, and when I say the art house, I don't just mean little, independent movies but movies that really aim to be about something and say something and I love those movies.

independent mean art

It is frustrating having to walk through America having to bob and weave people's impressions of me because they see a tall, black guy walking down the street. That is frustrating.

guy america people

What you want to do is talk about ideas, you write a novel, you have a lecture about those ideas. Satire and comedy are really the only film mediums where you can get into ideas and have people leave the theater without being moralized.

writing people ideas

Racism is wrong, racism is very dangerous. by Justin Simien

Racism is wrong, racism is very dangerous.

dangerous racism

If the characters [in a movie] aren't real, if their lives aren't realistic, if you call bullshit at any point in their journey, then the rest of it is invalid.

real journey character

I love when scenes are intentionally and meticulously planned so we feel like this is a handcrafted scene that only works in this moment and this movie, and that's the way I approach my films.

film moments way

I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.

hate together people

I started writing this 10 years ago because I didn't see myself in the culture, if you don't see yourself in the culture, please put yourself there because we need you.

entertainment

I remember the first time that I realized that being black meant that I wasn't allowed certain things. It was in the fourth grade, and it was who I thought was my best friend not inviting me to his birthday party because I would be the only black kid there. It was the first time I ever felt restricted, and it certainly wasn't the last time.

best me time birthday