We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements. George Pierce Baker More Quotes by George Pierce Baker More Quotes From George Pierce Baker When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature. George Pierce Baker reach literature play drama Farce treats the improbable as probable, the impossible as possible. George Pierce Baker possible farce treats impossible Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else. George Pierce Baker pretend human-being never mature Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops. George Pierce Baker surrender self play drama Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama. George Pierce Baker back pleasure action drama But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure. George Pierce Baker whatever pleasure action drama Drama read to oneself is never drama at its best, and is not even drama as it should be. George Pierce Baker never best oneself drama In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results. George Pierce Baker great freedom perfect listening In reading plays, however, it should always be remembered that any play, however great, loses much when not seen in action. George Pierce Baker great reading action play In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending. George Pierce Baker ending best today character No drama, however great, is entirely independent of the stage on which it is given. George Pierce Baker great stage independent drama Out of the past come the standards for judging the present; standards in turn to be shaped by the practice of present-day dramatists into broader standards for the next generation. George Pierce Baker generation next practice past Sensitive, responsive, eagerly welcomed everywhere, the drama, holding the mirror up to nature, by laughter and by tears reveals to mankind the world of men. George Pierce Baker mirror nature men world The drama is a great revealer of life. George Pierce Baker great drama life The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature. George Pierce Baker pleasure literature desire memorable There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience. George Pierce Baker view difference comedy tragedy What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death. George Pierce Baker ending understand sometimes death
