We see in order to move; we move in order to see. William Gibson More Quotes by William Gibson More Quotes From William Gibson The street has its own use for things. William Gibson streetsuse Every shop in every High Street in Europe is filled with basically the same stuff. There's a street in every city of the world that has a Gap and Benneton's, and the upscale versions of those. William Gibson citieseuropeworld I think that the collectible ephemera craze/awareness is probably driven by a reverse market, rebounding off the sense of everything being mass-produced. It's the last step you take in trying to find something unique. William Gibson uniquetryingthinking When I come to a new city is I combine: I say, well, it's like Barcelona and Edinburgh, though I can't imagine what that would be. But Toronto, the last few times I've been here, what always comes up is Chicago and West Berlin. It's a big, sprawling city beside a lake, of a certain age and a certain architectural complexity. But the high-end retail core looks more like West Germany than the Magnificent Mile. Yonge Street is like K-Damm. There's an excess of surface marble and bronze: it's Germanic and as pretentious as pretentious can be. William Gibson west-germanycitieslakes Somehow I think that if Toronto had been forced to wait a decade [from 80th], it would be a better looking city. William Gibson citieswaitingthinking Art Deco for me except in its most crazed and attenuated forms, it's jut a matter of taste. William Gibson tastematterart A lot of the buildings [in Toronto] around Yonge and Bloor is the architectural equivalent of Kipper Ties and 8" collar points. It's ghastly and no amount of street-level retail glitz can lift it. William Gibson torontoretailties What strikes me about Toronto is that Toronto's great misfortune was to have too much money in the late 70s and early 80s, and consequently, it built in the style of those periods, which is hideous. William Gibson torontostyletoo-much To the extent that I can still believe in Bohemia, which I think is very important to me in some way that I don't yet really understand, to the extent that I still believe in that, I have to believe that there are viable degrees of freedom inherent if not realized in interstitial areas. William Gibson importantbelievethinking The sky above the port was the color of television, tuned to a dead station. William Gibson colorskytelevision To some extent I'm guilty of wishful thinking. The absence of the interstitial I find unbearable. William Gibson unbearableguiltythinking I loved the Limey [movie]! It's so violent! And yet it's so exquisitely romanticized in a sort of Japanese way, it's a samurai film. Coming out of that, I was really deeply conflicted, because a friend who had seen it said, it's beautiful, but it's not about anything. it's one micron thick. William Gibson samuraibeautifulway It's an American thing, but it's particularly a southern thing, and its romanticization is hyper-Southern. And it's still irresistible to me, even in middle age. There's something that pulls me to that, but at the same time, I have this increasing awareness of how banal it really is - that evil is inherently banal. William Gibson southernageevil There's violence in my culture [from America's South]. William Gibson violencecultureamerica A part of that [timewrap] for me was growing up in a culture that violence had always been a part of. It wasn't an aberration, though I realize that in retrospect. I grew up in the part of the U.S. where all of Cormac McCarthy's novels are set and that's a pretty violent place. William Gibson aberrationgrowing-upculture I do not think an enormous permanent underclass is a very good thing to have if you're attempting to operate something that at least pretends sometimes to be a democracy. William Gibson democracysometimesthinking In effect, I grew up in a sort of timewarp, a place where times are scrambled up. There are elements of my childhood that look to me now, in memory more like the 1940s or the 1950s than the 1960s. Jack [Womack] says that that made us science fiction writers, because we grew up experiencing a kind of time travel. William Gibson childhoodmemorieslooks I probably had something to do with being southern. For some reason, over the last few years I've been much more conscious of that. It's probably because my friend Jack Womack has a thesis that he and I write the way we do because we're southern and we experienced the very tail end of the premeditated south. William Gibson southernwritingyears The culture is still there, and people are still doing it. I imagine some people are doing it very well indeed. As for me, it definitely was my native literary culture. Science fiction was where I'm from, but on the way to now, I went through a lot of other territory, and I wasn't really that culturally conventional an SF writer when I started. William Gibson culturepeopleway I have this prejudice that trilogies are long, three-volume novels. William Gibson prejudicethreelong
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