What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets. Sam Hamill More Quotes by Sam Hamill More Quotes From Sam Hamill Just as I wonder Sam Hamill flower summer spring If only we could touch the things of this world at their center, if we could only hear tiny leaves of birch struggling toward April, then we would know. Sam Hamill struggle world knowledge Nothing will change until we demolish the "we-they" mentality. We are human, and therefore all human concerns are ours. And those concerns are personal. Sam Hamill concern humans humanity There's a fragment that goes, "Some say the most beautiful thing in the world is a great cavalry riding down over the hill. Others say it's a vast infantry on the march. But I say the most beautiful thing is the beloved." How political can you get? Sam Hamill riding political beautiful Poetry teaches us things that cannot be learned in prose, such as certain kinds of irony or the importance of the unsaid. The most important element of any poem is the part that is left unsaid. So the poetry frames the experience that lies beyond naming. Sam Hamill elements important lying The only thing we all agree on, virtually every poet in this country, is that this Administration is really frightening, and we want something done about it. Sam Hamill want-something done country Poetry transcends the nation-state. Poetry transcends government. It brings the traditional concept of power to its knees. I have always believed poetry to be an eternal conversation in which the ancient poets remain contemporary, a conversation inviting us into other languages and cultures even as poetry transcends language and culture, returning us again and again to primal rhythms and sounds. Sam Hamill government sound culture Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation. Sam Hamill powerful writing war My ethics, my sense of morality, my work ethic, my sense of compassion for suffering humanity, all of that comes directly out of the practice of poetry, as does my Buddhist practice. Poetry is a very important element in the history of Buddhism in general and in Zen in particular. It was really Zen that motivated me to change the way I perceive the world. Sam Hamill buddhist buddhism compassion I was a violent, self-destructive teenager, who was adopted right at the end of World War II. I was lied to and abused by my parents. I hated life in Utah. I resented the Mormon Church, its sense of superiority and its certitude. I escaped through the Beat writers and discovered poetry and have devoted my entire life to the practice of poetry in varying ways. Poetry gave me a reason for being. And I'm not exaggerating when I say that. Sam Hamill teenager self war I think a lot of American poets are swimming-pool Soviets. A lot of them have taken the comfortable, self-protective route too often. I know that I certainly have. That's easy to do. Sam Hamill swimming taken thinking That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married. Sam Hamill wife feel-good jobs Korea's first Zen Master-poet wrote simple yet elegant poetry of the world he inhabited, both physically and spiritually, and of daily insights-a pause along the way for a deep clear breath, a moon-viewing moment, a seasonal note or a farewell poem to a departing monk. His poems speak softly and clearly, like hearing a temple bell that was struck a thousand years ago. Sam Hamill farewell moon simple Ho Kyuns poetry is in the tradition of his master, the incomparable Tu Fu, while remaining fully his own. Writing nine centuries later, Hos poetry strikes many parallels--the experiences of war and exile and constant struggle-- and his voice is similarly humane. This is rich and enlightening reading. Sam Hamill reading struggle war It's difficult to put your own bare ass out on the limb every time you sit down to write a poem. But that's really sort of the ideal. Because if we don't discover something about ourselves and our world in the making of a poem, chances are it's not going to be a very good poem. So what I'm saying is that a lot of our best poets could be better poets if they wrote less and risked more in what they do. Sam Hamill our-world chance writing I'll say that this is probably the best time for poetry since the T'ang dynasty. All the rest of the world is going to school on American poetry in the twentieth century, from Ezra Pound to W. S. Merwin, and for very good reason. We have soaked up influence in the last century like a sponge. It's cross-pollination, first law of biology, that the more variety you have the more health you have. Sam Hamill dynasty law school One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain. Sam Hamill chinese voice self The oldest cliché in the world is about "what's lost in translation," but you don't very often read much intelligent about what's gained by translation, and the answer is everything. Our language is a compendium of translation. Sam Hamill intelligent answers world I wrote a number of poems about Kah Tai lagoon, when Safeway was building that huge, ugly store down there where I used to love to watch the birds nest. That political poem, or environmental poem, was unsuccessful because Safeway built there anyway. And yet the poem has something to say today, as it did then. And I speak here only of my own poems. The agenda for every poet has to be different because most of us write from direct human experience in the world. Sam Hamill writing numbers bird It would be nice if all the Republicans could put poetry in a little box and put the box under the bed and sit on it, but they can't. Sam Hamill bed nice would-be
